dhaam dhoom music review

Music review By Malathy Sunderam This film is anticipated with a tinge of sadness by film buffs, because of the tragedy of Jeeva's death almost three-quarters of the way through the film. He had completed all but two songs and a few scenes at that point. Perfectionist that he was, he had even scripted the camera angles for the two songs which his assistant came to know later! His mentor P.C.Sriram and his widow Aneez, teamed together to complete the movie. The Jeeva-

Harris combo had always worked magic before, with 12-B, Unnale Unnale, and Ullam Ketkudhe. In this movie, Jayam Ravi, a student of medicine, falls for a lovely village belle, played by Kangna Ranaut. A medical conference takes him to Russia where he gets entangled in a bloody conspiracy. How he escapes forms the main part of the story. According to Jeeva, 'Dhaam' is all village stuff and 'Dhoom' is all action and escapades! Six songs have been set to tune by Harris Jayaraj here. What hits us after we listen to the CD is the awareness that a complex variety of beats have been used throughout, and the realization that all the string instruments used here have been very delicately blended into the songs; they seem to 'twinkle-toe' their way through the album. A lot of mixing, but to pleasant effect! Pudhu Pudhu Lyrics: P. Vijay, Vocals: Benny Dayal, Guna (Malaysia) Suchitra Some innovative rapping here. But rendered in flat tones. Suchitra pants adequately! Recalls disco dances of those days. The beat is interesting, though.

Sakhiye Lyrics: P. Vijay, Vocals: Krish, Bombay Jayashree This is an evocative love duet. Single words moving along the beats create a mild haunting mood. Interludes of orally rendered beats are quite breezy. Do they sing this song face to face or are they wishing for one another's presence? Stylish cinematography can deepen the listening experience.

Anbe en Anbe Lyrics: N. Muthukumar, Vocals: Harish Ragavendra This song has been beautifully sung by Harish. The opening piece is very catchy. The musical interludes are very aesthetically presented. Along with the humming of female voices. A rather suggestive sprinkling of santoor, violin and sitar adds to the joy. The delicate tinkling sounds stay on in your ears even after you move on to the next song. Dhikku Dhikku Lyrics: P. Vijay, Vocals: Benny Dayal, Sayanora Philip The very different beats at the start make you sit up right away! A song of passion sung expressively by Benny Dayal. Sitar and santoor combine to scintillate here. A stream of ascending and descending notes, words and beats blend together rather nicely.

Aazhiyile Lyrics: N. Muthukumar, Vocals: Haricharan Looks like a song of yearning. The beats are much softer and go so well with the sentiments expressed. The easy-flowing lyrics are quite nice too! Haricharan breezes through the song. Many delicate sounds have been woven into the background --as if upping their volume could shatter the delicate passion conveyed here. Uyyalaalo, Uyyalaalo Lyrics: P.Vijay, Vocals: Kailash Kher, Sujatha Truly, the piece-de-resistance of the album. A very carefree, joyful rendition with yet another lovely beat. The carefully articulated use of Sarangi is simply delightful!! It seems to speak a language of its own. So with the flute. Kailash Kher's voice has a slightly abrasive touch to it which adds to the general ' village' atmosphere of the song. Sujatha employs the right teasing voice. Verdict: Clearly a master craftsman is at work here. A nice sophistication prevails through the whole album. No sound hurts your ears. If the film wins good reviews, the songs may play a big part in it.

Santosh subramaniam songs & comedy

Santosh subramaniam movie review

Starring: Jayam Ravi, Prakash Raj, Genelia, Kausalya, Geetha, Premji

Direction: Raja

Music: Devi Sri Prasad

Production: AGS Entertainment Pvt Ltd
Love stories, especially when served with a sprinkling of family emotions and bonds, never fail to delight- they are evergreen. Santosh Subramaniam is one such movie, it is a tug-o-war between love and family, what to choose when faced with a choice and who will compromise, or would there be a mutual understanding - it’s a debate that’s been on for generations and will go on for all that to follow.
Santosh (Jeyam Ravi) is a lucky boy born with a silver spoon in his mouth, his life lacks nothing. He has wonderful caring parents (Prakash Raj and Geetha) and loving siblings around him, life is great when someone looks at it from outside. But within Jeyam Ravi is frustrated soul and he pours his heart out to Anu Haasan (in a special appearance) which is where the movie begins and ends! Why is he frustrated? Well, that’s what the movie is all about.

Santosh is not a rebel but he wants to meet a girl who he loves and who will in turn love him and he is very particular about it, no matter what. That’s when he comes across Hasini (Genelia), a bubbly, vivacious, ever smiling, innocent girl who seems to have friends everywhere. In a way, she is the type of girl Santosh has never met before and needless to say he is smitten. He is not very good with girls and has to try a few things before becoming a good friend of hers. He is not in two minds, he knows very well that he loves her but something is stopping him from telling her the truth in spite of being pretty confident that she can’t say a ‘No’ to him. But love cannot be hidden or stowed away, it comes

out. But families being families and fathers being fathers, love is not easily accepted. Of course, Prakash Raj has a very strong reason for doing so. However his son’s insistence pushes him to think it over. Prakash Raj agrees to reconsider but the decision has been already made in his mind. The sequence of events that follow are very novel, unique and interesting. That both Santosh and Hasini are from very different backgrounds threatens to stand in the way of their relationship and it very nearly does break them apart. But love is not easily undone and the ending (as in all good love stories) is their union.

What Santosh Subramaniam has in addition to the routine love story is the father-son relationship. It might not be wrong to say that their relationship enjoys more focus in the movie, especially in the second half. Their bond is a complex one, with each one thinking in the best interests of the other but ending up hurting each other. It is in the final portions that Ravi opens his mind and tells Prakash Raj about what is in his heart. The climax is not only about the success of the love story but also about how all members of a family now fully understand each other.

As a movie, Santosh Subramaniam is a well made clean family entertainer. Being the remake of a Telugu superhit Bommarillu, the movie always had expectations but one must not burden the movie with any preconceived notions. Santosh
Subramaniam talks about how love has the power to endear as well as suffocate and that suffocation can turn into rebellion if not resolved. It tells us that the only way to make a person understand is by talking to him/her. If we love someone we must tell them what we like or hate about them. Love is about being honest and love is not only the feelings shared by a boy and a girl, it could be between a parent and a child, between two brothers, between friends, anyone.

Ravi as Santosh has done well, especially in scenes where he cuts loose and lets pent up feelings and thoughts blow out. Genelia has no trouble being the bubbly young girl, but her innocence and antics sometimes look like immature childish pranks. Santhanam, Premji and Sreenath as Ravi’s friends light up a few scenes with their comic acts, they come and go at many points without being there for too long. Sadagopan Ramesh, debuting on the big screen as Ravi’s elder brother doesn’t have much to do. Sathyan as the house servant has some scope for comedy and makes use of it adequately. Sayaji Shinde as Genelia’s father does a role that really does not sit well on him, the casting could have been better. But the real master is (though it may sound repetitive) is Prakash Raj, he proves his class yet again.

Overall, Santosh Subramaniam is a movie that you will enjoy. Yes, the screenplay does drag along a bit, especially a few scenes between Ravi and Genelia could have been trimmed, especially considering that the movie runs for three hours. The ‘Eppadi Irundha’ song has been shot in picturesque locations and is a visual treat. The camera and art too should be appreciated. Watch Santosh Subramaniam for that ‘feel good’ feeling, overlook minor glitches.

Santosh Subramaniam- Well made family entertainer-conditions apply

santosh subramaniam trailer

I dont belive in messages

Jayam Kondaan the upcoming film directed by Kannan who had his initial training under Mani Ratnam is happy with the way the film has shaped up. The movie has Vinay, Bhavna and Lekha Washington in lead roles. According to the director major portion of the film has been completed and the crew will be flying now to Russia to shoot song sequences.

Vinay is a civil engineer working in London who comes to Chennai and meets Bhavna, a college student interested in sports. Lekha is a modern girl with progressive views and the film revolves around these three characters. Jayamkondaan also has Vivek, Santhanam V M C Haneeefa in the supporting cast. Vidya Sagar has tuned in music and Balasubramanian has cranked the camera and the film will be a summer vacation release. While discussing his film, Kannan says that Jayam Kondaan’s specialty is its spontaneity. He further adds, “My hero Vinay will be like the boy-next-door and people will be able to relate to him easily. I have not given any message in the film as I feel it is not necessary. I do not want to disappoint people who come to theatres to watch my film. 100% entertainment would be assured within the logical boundaries”.